**Note: Clicking on the links throughout this article will
take you to horror of varying types and degrees, from mildly unnerving to gory
to existentially terrifying. If that kind of thing wigs you out too much, or
that's just not what you're looking for, this is your warning. I also take no
responsibility for any curses, brainwashing, sudden deaths, or other similarly
odd events potentially connected to these links. And, like Arthur Weasley said,
don't trust anything intelligent if you can't see where it keeps its brain. Oh,
and spoilers are going to exist in this article.**
So, this is going to be different. And long. On a random fluke, I wrote up a two day blog post a while
back. I didn't expect that, but I went with it. This time I'm expecting it. I'm
expecting twice as long, actually. This is probably going to spread across 4
blog posts, so I hope you're in for the long haul.
So, Top Ten Do's to Take from Internet Horror. Two posts.
Top Ten Don'ts to Take from Internet Horror. Two posts. But what the hell am I
talking about when I say internet horror? What makes it special or unique? I'm
a reader/horror fan/random passerby, why do I care about any of this? I'm not a
writer!
What I'm talking about/What makes it special: Horror is an
old, old genre, and it's gone through countless permutations. Gothic horror,
with vampires and werewolves. The existential dread of H.P. Lovecraft and his
contemporaries. 80's slasher flicks. The 90's brought splatterpunk. And in
modern times, there's what I consider a new genre of internet horror. It's…
hard to define. It encompasses creepypasta and the ARG phenomenon. We'll learn
more detail about it as the list goes on.
Why you should care: admittedly, I'm putting these articles
together with an eye to helping writers… myself included. But, at the very
least, you may find some new things to read/watch/listen to. At the most, you
could find it interesting to peek behind the curtain and see Professor Marvel
pulling at the levers.
Okay, this intro is already getting too long for my tastes –
let's get going.
10: DO Experiment
Now, this isn't exactly unique advice to be gleaned from
internet horror, but I feel what people are doing with their online spooks
drives it home very well. Traditional horror is just that: traditional. It
follows a narrative structure, and it's told the normal way a story is. And
that's great.
But internet horror doesn't need that to function. In fact,
the lack of traditional narrative structure can be used to make it better, if
handled correctly. One of my personal favorites is Candle Cove. It's just a
basic, epistolary short story, told via forum posts, but it wouldn't be the
same if told simply from beginning to end. Or, perhaps a bit more famously, you
have the SCP Foundation. It's easily got to be the largest collaboratively
written spec fic online… maybe ever. The community behind it creates everything.
While there are narrative pieces involved, you don't need it. It's not the core
of the work. Instead, everything comes from "internal files" written
as a record of contained phenomena, detailing effects, encounters, and security
measures. And believe you me, that shit is scary. Which, speaking of that…
9: DO Scare the
Audience
I honestly can't believe I have to put this in when talking
about horror, but here we are. I recently read one of the recent editions of
Year's Best Horror. I put it off, because I read at night… and fuck that noise.
But when I eventually started in on it… there was not a lot of terror there.
The first story was, at best, funny. At worst, it was dumb and disjointed. But
it was not God damn scary, and even
if I was a little cautious about reading it, I wanted scary from my horror. Go figure.
Scary is not hard. If you try, you can sit there for a few
minutes and come up with a list of shit that's scary. Big things, small things.
It doesn't matter, something should be there that actually qualifies your work
as horror. Even if it's just creepy.
Internet horror turned a husky into one of the most
prevalent horror creations in decades: Smile Dog. Huskies are fucking cute, and
if they can be scary? You can do
something with it, trust me (Sorry, that was angrier than I intended it to
be.).
8: DO Devote
Yourself
Any modern indie creator will tell you that it's not easy.
We're all struggling in one way or another. You can't start in as a creator of
any sort if you're not ready to accept that, and lots of people quit when it
doesn't work out how they want.
But let me tell you a story. It's a very short story about
determination. In fact, it's seven words that speak to my point: EverymanHYBRID
has been going for five years. Here's another one: Marble Hornets lasted for
five years. Or how about this one: the SCP Foundation began in 2008.
Internet horror thrives on a devoted base of creators. These
are people who do it for the love of what they're making, and that love drives
them through the process of creation, come hell or high water.
7: DO Respect
Your Audience's Intelligence
While it can be tempting to spell everything out, people are
smarter than a lot of content creators seem to give them credit for. They can
pick up on context clues. They can piece things together, and that’s especially
important and useful when you're working with horror.
Now, this can be in a narrative sense. Take Candle Cove
again. The ending could have been spelled out very clearly, thus robbing it of
any value and ruining one of the best new horror stories in quite a long time
(Okay, my opinion. But still. It's damn good). Instead, the author leaves it with
the revelation that, as a child, he would watch static for half an hour when he
said he was watching Candle Cove. That's creepy as shit, guys.
But there are broader strokes to it, too, and sometimes
cleverer. SCP-231 has hidden text that can only be revealed if you mess with
the scripts on the page. Marble Hornets and other similar projects hid actual
ciphers and codes to be resolved in their work. Hell, NOC +10 may as well just
be called "See if you can crack this
code." Or heck, try pulling up all the information about "This HouseHas People in It." And good luck.
The modern horror audience doesn’t want to be spoonfed every
scare. They want to have the realization that they should be terrified, and it's the creators job to just stay out of
the way.
6: DO Embrace
Subtlety
To go along with the intelligent audience, it's worth it to
use subtlety to your advantage. I'm going to chime in with Marble Hornets stuff
again because it's very popular and, of the three big-time Slenderverse Series,
it's the one that I think is creepiest. And a lot of that is down to subtlety.
At first, you don’t see
the monster. Not really. Anything you get from him is fleeting. A quick turn of
the head, him standing in the background, the camera just quickly panning past
him. That changes as the series goes, sure, but it's subtle to begin with. The
Operator in Marble Hornets is… there. And that's the real terror. It could be
there at any point. It probably is. It's probably around the corner. It makes
every single episode tense, because you're watching and waiting for the
Operator to show up, just like the characters.
In fact, the very original Slenderman "story" is
all on its own very subtle. It was literally just two photos with the
Slenderman in the background, and some implications of missing or dead
children. That was it. And that was all it needed to be.
And with that, I'm going to put this aside for the day. I'll
be back tomorrow with entries 5-10, and I hope you'll be back, too.
And… umm… here's some kittens to make you feel better, in
case you actually went to any of those links. I did warn you.
Voss
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